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Among Sony E-mount lenses, the G Master and Zeiss (ZA) series stand out in particular.
The G series is supposed to deliver mind-blowing image quality, fast autofocus, and record-breaking aperture speed, while the ZA line, in turn, focuses on artistic rendering (allegedly) - and fair enough, Carl Zeiss engineers did lend a hand in designing the optics!
I'll leave this kind of classification to the marketing department, but from my own experience, there's nothing alien about Zeiss-branded lenses. They're still standard Sony system lenses, instantly recognizable once you take a look inside.
But the lens I'm dealing with here is an absolute beast - the Planar T FE 50mm F1.4 ZA*. Compared to other system 50mm f/1.4 lenses, it impresses right away with its size and weight. I've rarely held a 50mm lens this massive - maybe just the Sigma 50mm 1.4 Art comes close in terms of weight.
The image quality is also seriously impressive - razor sharp wide open, with a pleasing bokeh. I don't have the words to describe its character - I fix cameras, I don't shoot with them.
After disassembly, though, my jaw dropped. This thing is engineered like money was no object.
But back to why it's on my workbench. The issue isn't typical - focus is jumpy and unstable, often overshooting the sharpest point. In manual focus mode, even the slightest turn of the ring sends the focus flying from one extreme to the other. And the motor makes a whining noise when powering down.
Let's dive into the teardown and see what's going on!